Robyn and I had a night at the theatre on Friday. An enjoyable evening it was. We went early to ensure a parking space. The lounge provided for a comfortable wait. Coffee was served, Cloak room with an attendant and of course the ticket wicket; all as it should be.
Robyn found grand-dad's name on a plaque. Her parent's wedding reception was held there. Also a reception for Grand-dad's eightieth birthday.
I noticed differences. A warm wood floor in the lounge. Graded seating and theatre chairs of style and comfort. Stage lighting representing a huge investment.
Robyn is seventeen. She was surprised to discover Uncle Frank was an actor.
Charlie's Aunt was his role in the first play ever presented in the building . Robyn's reaction made me realise how much time had passed since theatre was a major part of our lives.
Uncle Martin trod the boards. Aunt Theresa as well and of course, it had been Grand-dad's abiding passion for forty years.
I told how the building came to us. The late Dodie Herskovitz, whose name appears nowhere, gave it and the property around it, for a theatre in exchange for a few hundred dollars owed in taxes.
She donated couple of hundred brand new chrome and orange vinyl chairs as well.
An L.I.P. grant was available. Between Friday night and Monday morning, plans were prepared to submit with an application.
The late Tim Baker- Pearce, Harry Shaw and Barbara McGowan's brother and I don't know who else were involved.
The late Bud Rodgers, our clerk-administrator processed the application lickety- split and we received a cheque for twenty-one thousand dollars
The building was cinder block with a flat roof. Three large windows formed the corner, left of the front door. The main body of space was five or six steps down from the front area.
In the centre of the factory floor,surrounded by concrete rubble, in a higgledy- piggledy pile, rested assets of Theatre Aurora. Dodie had given them free storage.
High windows on either side of the building had not a pane of glass in sight. Birds roosted inside. on beams; flying back and forth, cheeping and chirping. like it was a natural thing.
Excitement was intense. A theatre group, regularly presenting a season of productions without a home, is a challenge one cannot imagine. It's one of things you do as you go. If asked afterwards how it was done, the only answer was; it happened.
Sets constructed, in separate home basements were put together on stage practically hours before first night.
St Andrew's College theatre was an excellent venue. But it was lent for a specific time.
There were packed houses throughout the run: three week-ends at most.
Everybody involved had jobs.. Rehearsals, set construction, furniture assembly from a store and living rooms, costumes sewn all had to be done at night. The work took it's toll.
But not until after end-of-run celebrations at various homes; Baker-Pearce's or Terry Hallet's and others.
The talent was amazing. Productions extraordinary.
They did Noel Coward,Neil Simon, Shakespeare,Doyly Carte,George Bernard Shaw. Oklahoma, The Boyfriend, Fiddler On The Roof, The Sound of Music, Music Man, My Fair Lady, A Man For All Seasons and oh so many others.
Ron Wallace acted in The Odd Couple.
I have thought, before it's too late, we should have our own walk of fame in Aurora. The stars who gave so much of themselves just for the satisfaction of creating the magic that is theatre. It's a compelling urge. We should have stars on Yonge Street sidewalk.
For a few hours, several times a season, they transported us from our ordinary lives to another place.They gave us something memorable.
On Friday, Robyn and I experienced the magic once again on Henderson Drive.
The play is Drawer Boy by Michael Healey.
Go see what has been accomplished by sustained dedication, not only in presenting plays but in the actual physical creation of a jewel of a theatre out of a midden of a concrete box.
The Company is open for anyone to join. They offer opportunities not found anywhere else...
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